Wednesday, September 28, 2016

Week 1: Marie Sester

ACCESS: Marie Sester

Marie Sester is a French media artist based in Los Angeles. She began her career as an architect, having earned her master’s degree from the Ecole d’Architecture in Strasbourg. Her interest, however, shifted from how to build living structures to how architecture and ideology affect our understanding of the world. Her work investigates the way a civilization originates and creates its forms. These forms are both tangible -such as signals, buildings, and cities- and intangible, such as the aspects of values, laws and culture.

ACCESS is a robotic spotlight and acoustic beam system that tracks individuals in public places. The beam is either activated as people move through the space under surveillance, or it is piloted remotely using a Web interface. 


ACCESS lets you track anonymous individuals in public places, by pursuing them with a robotic spotlight and acoustic beam system. It presents control tools generated by surveillance technology combined with the advertising and Hollywood industries, and the internet. It refers to political propaganda and media manipulation.

In an interview, she mentioned that she was more interested in the political and cultural ideology that underlies architecture, rather than in dealing with real clients and tons of steel and concrete. This, combined with her interest in art, led her to installation, which allowed her to be closer to her subject: to examine the way that a civilization originates and creates its forms, both tangible and intangible, and the way that political and ideological ideas become physical. Why are we surrounded by what we are surrounded with? And architecture is something our bodies and minds are changed by – in Japan, in a traditional house or temple, she felt differently, breathe differently. It’s clear. And that is just one example. So these built spaces affect us enormously, and installation allowed her to explore that.

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